Explores some interesting ideas, but the story never really clicked for me.
(Full disclosure: I received an electronic ARC for review through NetGalley. Trigger warning for allusions to rape.)
Backstage, Olivia Taylor had removed her moon boots and was curled cat-like against Karl Marx. He rubbed his hand up her leg, almost into her crotch, and she opened a mirror and lined her lips silver-blue while he talked.
“It’s all waste,” he said, his accent as perfectly beautiful as it sounded in the interviews I’d watched. “Waste and filth. Even these women, these perfect creatures.”
These children that come at you with knives, they are your children. —Charles Manson
As a teenager, I devoured true crime books. They were a guilty pleasure, if only because some of the adults around me made me feel like a borderline psychopath for my choice of reading materials. (JEEZ UNCLE GARY, MAYBE I WANT TO BE A FORENSIC PSYCHOLOGIST WHEN I GROW UP! DID YOU EVER THINK OF THAT?) My favorite sub-genre was cults, hands down; there was something about the mix of sociopathy and religion that I found especially compelling. In college, I was lucky enough to talk my way into a sociology project on Jonestown (though I struck out when trying to do something similar for an honors course called “The Psychology of Health & Wellness.” You can’t have wellness without sickness, I argued. Two sides of the same coin! Eventually the prof was forced to pick my topic for me: hardiness. Ugh. I still nailed it.)
So it’s an understatement to say that I was looking forward to Alison Umminger’s American Girls – one of two Manson-inspired books coming out in June. (The other? The Girls by Emma Cline, which I cannot recommend highly enough.) I’ve been humming the Tom Petty tune for going on a month now.