Archive: June 2011

Goodbye, but not forever.

Thursday, June 23rd, 2011

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But before they could begin, a voice cried out, as loudly as a whisper could cry. It was the ghost of a thin man with an angry, passionate face, and he cried:

“What will happen? When we leave the world of the dead, will we live again? Or will we vanish as our daemons did? Brothers, sisters, we shouldn’t follow this child anywhere till we know what’s going to happen to us!”

Others took up the question: “Yes, tell us where we’re going! Tell us what to expect! We won’t go unless we know what’ll happen to us!”

Lyra turned to Will in despair, but he said, “Tell them the truth. Ask the alethiometer, and tell them what it says.”

“All right,” she said.

She took out the golden instrument. The answer came at once. She put it away and stood up.

“This is what’ll happen,” she said, “and it’s true, perfectly true. When you go out of here, all the particles that make you up will loosen and float apart, just like your daemons did. If you’ve seen people dying, you know what that looks like. But your daemons en’t just nothing now; they’re part of everything. All the atoms that were them, they’ve gone into the air and the wind and the trees and the earth and all the living things. They’ll never vanish. They’re just part of everything. And that’s exactly what’ll happen to you, I swear to you, I promise on my honor. You’ll drift apart, it’s true, but you’ll be out in the open, part of everything alive again.”

No one spoke. Those who had seen how daemons dissolved were remembering it, and those who hadn’t were imagining it, and no one spoke until a young woman came forward. She had died as a martyr centuries before. She looked around and said to the other ghosts:

“When we were alive, they told us that when we died we’d go to Heaven. And they said that Heaven was a place of joy and glory and we would spend eternity in the company of saints and angels praising the Almighty, in a state of bliss. That’s what they said. And that’s what led some of us to give our lives, and others to spend years in solitary prayer, while all the joy of life was going to waste around us and we never knew.

“Because the land of the dead isn’t a place of reward or a place of punishment. It’s a place of nothing. The good come here as well as the wicked, and all of us languish in this gloom forever, with no hope of freedom, or joy, or sleep, or rest, or peace.

“But now this child has come offering us a way out and I’m going to follow her. Even if it means oblivion, friends, I’ll welcome it, because it won’t be nothing. We’ll be alive again in a thousand blades of grass, and a million leaves; we’ll be falling in the raindrops and blowing in the fresh breeze; we’ll be glittering in the dew under the stars and the moon out there in the physical world, which is our true home and always was.

“So I urge you: come with the child out to the sky!”

But her ghost was thrust aside by the ghost of a man who looked like a monk: thin and pale, with dark, zealous eyes even in his death. He crossed himself and murmured a prayer, and then he said:

“This is a bitter message, a sad and cruel joke. Can’t you see the truth? This is not a child. This is an agent of the Evil One himself! The world we lived in was a vale of corruption and tears. Nothing there could satisfy us. But the Almighty has granted us this blessed place for all eternity, this paradise, which to the fallen soul seems bleak and barren, but which the eyes of faith see as it is, overflowing with milk and honey and resounding with the sweet hymns of the angels. This is Heaven, truly! What this evil girl promises is nothing but lies. She wants to lead you to Hell! Go with her at your peril. My companions and I of the true faith will remain here in our blessed paradise, and spend eternity singing the praises of the Almighty, who has given us the judgment to tell the false from the true.”

Once again he crossed himself, and then he and his companions turned away in horror and loathing.

Lyra felt bewildered. Was she wrong? Was she making some great mistake? She looked around: gloom and desolation on every side. But she’d been wrong before about the appearance of things, trusting Mrs. Coulter because of her beautiful smile and her sweet-scented glamour. It was so easy to get things wrong; and without her daemon to guide her, maybe she was wrong about this, too.

But Will was shaking her arm. Then he put his hands to her face and held it roughly.

“You know that’s not true,” he said, “just as well as you can feel this. Take no notice! They can all see he’s lying, too. And they’re depending on us. Come on, let’s make a start.”

She nodded. She had to trust her body and the truth of what her senses told her; she knew Pan would have.

So they set off, and the numberless millions of ghosts began to follow them. Behind them, too far back for the children to see, other inhabitants of the world of the dead had heard what was happening and were coming to join the great march. Tialys and Salmakia flew back to look and were overjoyed to see their own people there, and every other kind of conscious being who had ever been punished by the Authority with exile and death. Among them were beings who didn’t look human at all, beings like the mulefa, whom Mary Malone would have recognized, and stranger ghosts as well. But Will and Lyra had no strength to look back; all they could do was move on after the harpies, and hope.

…..

Will and Lyra exchanged a look. Then he cut a window, and it was the sweetest thing they had ever seen.

The night air filled their lungs, fresh and clean and cool; their eyes took in a canopy of dazzling stars, and the shine of water somewhere below, and here and there groves of great trees, as high as castles, dotting the wide savanna.

Will enlarged the window as wide as he could, moving across the grass to left and right, making it big enough for six, seven, eight to walk through abreast, out of the land of the dead.

The first ghosts trembled with hope, and their excitement passed back like a ripple over the long line behind them, young children and aged parents alike looking up and ahead with delight and wonder as the first stars they had seen for centuries shone through into their poor starved eyes.

The first ghost to leave the world of the dead was Roger. He took a step forward, and turned to look back at Lyra, and laughed in surprise as he found himself turning into the night, the starlight, the air…and then he was gone, leaving behind such a vivid little burst of happiness that Will was reminded of the bubbles in a glass of champagne.

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vegan nomz roundup!: ice cream ed. (with a recipe for peach ice cream!)

Tuesday, June 7th, 2011

Remember the eye-popping vegan pizza nom roundup I posted a few weeks back? (No? LUCKY YOU, HERE IT IS!) Well, now it’s ICE CREAM’S turn!

Mostly I’ve been blogging ice cream recipes as I make them – Vegan Vanilla Buttercream and Vegan Vanilla & Chocolate Buttercream Swirl, holla! – but the odd few have slipped through the cracks, mostly because I’ve no recipe to accompany them. And just posting a photo without a recipe seems a wee bit cruel, dontchathink? (Posting them all in one big fat roundup? The ultimate tease!)

What makes this ice cream binge extra-sweet is that I recently received the results of my blood work, and I do not – in point o’ facts – have hypoglycemia or diabetes.* SO BRING OUT THE ICE CREAM AND PIZZA!** Ditto: the pasta, potatoes, bread and chocolate! Of course, this begs the question of my actual dysfunction, but I shall worry about that later. Preferably with a pint of ice cream in tow.
 

Caramel Ice Cream

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Caramel ice cream topped with caramel sauce! (Note my super-adorable, dinosaur-themed Welch’s jelly jars. Coming at you straight from the 1980s!)

Upon seeing the caramel extravaganza spread in the December 2010 issue of VegNews, I decided that I had to give the caramel ice cream a try. After combing the local grocery stores for brown rice syrup to no avail (what’s up with that, Price Chopper?!), I finally ordered it online and got down to biz. I started with a batch of the soft serve caramel, which you mix into a quart of vanilla ice cream to make caramel ice cream. Pretty simple, right? Alas, I never could get the caramel to set properly; it was more like sauce than soft serve candy (as you can see in the photo – the “sauce” is really some leftover “caramels”). Also, the taste seemed a little off and wacky. Could be I’m just fussy; you won’t get any argument from me. Either way, not a big fan.

The good news is that the caramel tasted divine when combined with the vanilla ice cream! The ice cream recipe in VegNews calls for coconut milk – which I didn’t have on hand – so I went with a soy-based recipe from Wheeler del Torro’s The Vegan Scoop instead. Delicious and relatively easy to make. (Cleanup, not so much.)

If you don’t have access to either of these recipes, you can use this recipe for caramel sauce from the Spooky Vegan, along with A Vegan Ice Cream Paradise’s vanilla ice cream formula, which is nearly identical to del Torro’s. Or just sub in your own favorite caramel sauce/candy and vanilla ice cream recipes – it’s hard to fuck up caramel ice cream, as I think I’ve demonstrated!
 
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furkid friday: dogs and books (and books about dogs)

Friday, June 3rd, 2011

Today we have an extra-special furkid friday/Shout Out two-fer! (Dogs and books, books and dogs; throw in pizza and netflix, and that’s all you really need in life, amirite folks?) I even redesigned the old Colbert Report SHOUT OUT! graphic for the occasion!

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Animated gifs, they’re all the rage. Alas, I was lazy and in a hurry and only used four frames for this one, so it’s a bit choppy. But still, animated Stephen! Times two!

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The props go to Columbia University Press, which kindly sent me a copy of Creaturely Poetics: Animality and Vulnerability in Literature and Film by Anat Pick, a senior lecturer in film and program leader for film and video: theory and practice at the University of East London. From the book’s back cover:

Exploring the “logic of flesh” and the use of the body to mark species identity, Anat Pick reimagines a poetics that begins with the vulnerability of bodies, not the omnipotence of thought. Pick proposes a “creaturely” approach based on the shared embodiedness of humans and animals and a postsecular perspective on human-animal relations. She turns to literature, film, and other cultural texts, challenging the familiar inventory of the human: consciousness, language, morality, and dignity. Elaborating on such themes as witnessing, commemoration, and collective memory, Pick identifies the animal within all humans, emphasizing the corporeal and its issues of power and freedom. Through her poetics of the creaturely, powerlessness is the point at which aesthetic and ethical thinking must begin.

This looks like an interesting read for those concerned with how portrayals of nonhumans in pop culture – literature, film, television – both reflect and inform societal attitudes and ethics towards our fellow sentient beings. (In other words, me!) If you’d like to learn more, check out the book’s listing on Columbia University Press.

I tried my best to snap a photo of Peedee and/or O-Ren with Creaturely Poetics – mock reading it, or some such other cutesy silliness – but neither was feeling very cooperative. (Too hot!)

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That’s okay, though; truth be told, I wasn’t trying that hard anyway. (TOO HOT! Seriously, have I mentioned how hot it’s been lately? We’re looking at a week of 90 degree weather with 70%+ humidity. Ick!)

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