Firstly, a big, shiny hello to everyone arriving here from The F-Word! (And can I just say how stoked I am to see yet another vegan feminist guest-blogging on yet another kickass feminist blog? More, please!) In addition to the posts singled out by Amy, you might also enjoy browsing the Intersections post category. And if you’re feeling especially adventurous, check out this list of vegan/vegetarian bloggers who regularly discuss the intersections of human and nonhuman oppressions. It’ll keep you occupied at least through the summer, I tell you what.

So. On to today’s vegan feminist WTF. While searching for a related image last night, I stumbled upon a rather disturbing poster for the movie Saw IV:

Shot in tones of black, gray and red, the poster is rather macabre (and quite fitting for a horror flick). Highlighted by a dim ray of light, in the middle of the poster sits a masked figure. She is confined to a torture device of some sort. Seemingly homemade, the instrument – similar in shape to a small chair – looks as though it was cobbled together from pieces of various mechanical devices, including a push mower. There are knobs, tanks, wheels and blades galore. The victim sits facing forward, her arms confined to her sides, ankles chained to the chair.

Masked, robed and photographed from behind, the prisoner’s gender is impossible to determine. However, the figure does sport some obvious trappings of femininity, including knee-high, black stiletto boots (“fuck me boots,” if you will) and tight, black stockings or leggings. The robe is red, possibly velvet. Clearly, the audience is to assume that the victim is a woman (or one very “emasculated” man).

Oh, and the mask? It’s of a pig. Holy woman-as-meat / meat-as-woman meme, Catwoman!

Having only watched the first installment of the Saw franchise, this poster initially sent my head reeling re: its possibly significance, if any. Luckily, Wiki has the answers (some of them, anyhow):

That evening, Rigg is attacked in his home; upon awakening, a videotape informs him that Matthews is still alive, with ninety minutes to save himself, with Hoffman’s life at stake as well. He finds Brenda (Sarain Boylan), a female pimp, chained to a chair with a pig mask covering her face. The first test, “see what I see,” is for him to leave her there; he ignores the message and ends up triggering a device to begin peeling her scalp off. He manages to free her, but she attacks him; she had been told that she would be arrested if Rigg saved her unless she killed him first. He throws her into a mirror and leaves; her corpse is later found by police.

And, from the character description:

Brenda was a prostitute who appeared in Saw IV as a victim in Daniel Rigg’s game. Brenda was placed in a machine designed to tear her scalp from her head and Rigg was instructed to simply walk away from her as she was not worth saving. After her scalp was partially torn away, Rigg managed to save her but Brenda then attempted to kill him, instructed by Jigsaw that if she didn’t Rigg would send her to jail. Rigg overpowered Brenda and threw her into a mirror. She was later found dead.

I suppose the overriding purpose of the pig mask is to conceal the “scalping” contraption, but one has to ask…why a consumable (i.e., “food”) animal? Why not Ronald Regan or Freddy Krueger instead? Is Jigsaw (or his torture porn confederate) making a statement about women who “pimp out” other women? (e.g., Such people are “not worth saving,” much like “worthless,” “dirty,” “gluttonous” nonhuman animals such as pigs.) Or is the pig mask merely a handy prop for upping the film’s shock value? (Meat and corpses and slaughterhouses, oh my!)

There’s a vegan feminist analysis lurking here somewhere, but I’ll be damned if I can find it. Perhaps someone who’s actually seen the film(s) can clue me in?

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I have birthed (mutated? summoned forth? kidnapped and trained?) my very own super-shiny-awesome vegan pop culture blog.

Behold: POP! goes The Vegan.

I know, I know, I need another blog like I need more cow flesh in my chili, but I just couldn’t help it. For reals! After a few months of contemplation, and a few more spent trolling the internets, I realized that POP! might actually fill a (gasp!) void. As if such a thing exists, you scoff. But wait, stay with me here.

Aside from a few green/vegetarian celebrity gossip sites (will. not. link.), I have yet to find a single blog or website that dissects pop culture – film, television, music, literature, theater, advertisements, you name it – from a strictly vegan perspective. Not a few vegan bloggers feature the occasional movie review and the like (myself included), but I don’t know of anyone who focuses solely on popular culture criticism. And so POP! goes The Vegan. was born. (My quirky comical punctuation, you will assimilate it.)

Though the archives consist solely of posts previously published in these here pages, I began adding some original content this week. Probably I’ll continue to crosspost those pieces of which I’m particularly proud – but pleasepleaseplease bookmark POP! so that you don’t miss anything. (Hmmm, that sounded more like begging than I’d intended for it to.)

So far this week, I’ve blogged about Bones, Lost (no Season Six spoilers, please! lalalalala I can’t hear you!), the Temple Grandin biopic premiering on HBO this weekend, and the Anthony Weiner interview on last night’s The Daily Show. (See? You are totes missing out!)

If you’d like to contribute the odd guest post or two, check out the submissions page. I can only watch so many television shows at once, so a few kickass vegan sidekicks are sorely needed.

In the future, I also hope to add a database of links to film, television, music, literature and theater reviews (written from an animal rights point of view, natch), so keep an eye out for that as well. (Just waiting for the Mr. to finish up on the back end. Errr, wait, you know what I mean.)

Ka-pow!, for now.

Caution: spoilers ahead!

Normally, I’m not one for musicals (Little Shop of Horrors and Grease notwithstanding!). That said, Sweeney Todd: The Demon Barber of Fleet Street struck my fancy right away. Now, I could attribute this to the film’s macabre, Gothic Victorian setting, or to the dynamic star/director duo of Johnny Depp and Tim Burton; and, while these are both ginormous positives, I’d be lying if I said that either of these is what compelled me to dabble in a genre I tend to pass up. Nope, as much as I love a Goth Depp/Burton vehicle, Sweeney Todd reeled this vegan misanthrope in with promises of cannibalism. Cannibalism is the shit.

Sweeney Todd opens with the titular character’s arrival in London. “Return to London,” actually: in a former life, Sweeney Todd was one Benjamin Barker (also a barber). But we’ll get to Barker’s story in a moment.

We first meet Sweeney Todd as he and a young sailor dock in a London port. Whereas Todd’s traveling companion, Anthony, marvels at the beauty of London, Sweeney will have none of it. His gloomy, sullen mood sets the tone for the rest of the film: shades of black, gray and blue, colored only by the red crimson of blood spilt.

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Caution: Major spoilers ahead.

While The Men Who Stare at Goats is by no means an animal rights or overtly anti-vivisection movie, it does (happily!) have a few animal-friendly moments.

Based on a 2004 book of the same name by journalist Jon Ronson, the film is a dramatized account of Ronson’s investigation into “psychic” warfare experiments conducted by the U.S. military in the ’70s and ’80s. Ostensibly a story for the skeptic set (indeed, that’s why the husband and I saw it in the theater), the film also at turns sentimentalizes the “free love,” hippie sensibilities and mysticism of the ’60s and ’70s. (Indeed, it concludes on a disappointingly “anything is possible if you believe” note.)

Anyhow, along with all the “flower power” comes not a little tree- and animal-hugging. Goat-hugging, to be more specific: because the army’s more “practical” experiments involve trauma training carried out on live animals, the medical school’s in-house goats also play a role in the aforementioned psychic experimentation – the purposes of which isn’t nearly as sadistic as the trailers let on.

Lest I get ahead of myself, here’s a brief synopsis, via Wiki:

The film follows Ann Arbor Daily Telegram reporter Bob Wilton (Ewan McGregor), who one day interviews Gus Lacey, a man who claims to have psychic abilities. Bob shrugs Lacey off as crazy. Soon after, Bob’s wife leaves him for his one-armed editor. Bob, out of anger, flies to Kuwait to investigate the Iraq War. However, he stumbles onto the story of a lifetime when he meets Special Forces operator, Lyn Cassady (George Clooney). Lyn reveals that he was part of an American army unit training psychic spies (or “Jedi Warriors”), trained to develop a range of parapsychological skills including invisibility, remote viewing, cloud bursting, walking through walls, and intuition.

The founder of this unit, Bill Django (Jeff Bridges), traveled across America in the 1970s for six years exploring a range of New Age movements (including the Human potential movement), because of a vision he received after getting shot during the Vietnam War, and used these experiences to found the New Earth Army. In the 1980s, two of Django’s best recruits were Lyn Cassady and Larry Hooper (Kevin Spacey), who developed a lifelong rivalry because of their opposing views of how to implement the New Earth Army philosophy; Lyn wanted to emphasize the positive side of the teachings, whereas Larry was more interested in the dark side of the philosophy.

In the early 2000s Bob and Lyn embark on a new mission in Iraq, where they are kidnapped by a criminal gang. They escape with fellow kidnapping victim Mahmud Daash (Waleed Zuaiter) and get rescued by a private security firm led by Todd Nixon (Robert Patrick), but get caught up in a firefight between Todd’s security firm and a rival security firm; this would later be known as the “Battle of Ramadi.” Mahmud, Bob and Lyn escape from the firefight and go to Mahmud’s house, which has been shot up by soldiers. From there Bob and Lyn leave to continue on Lyn’s vague mission involving a vision he had of Bill Django.

Here it’s worth noting that Cassady recounts the story of Django and the New Earth Army as his Iraqi adventure with Wilton unfolds in parallel. Both tales begin on a light, humorous note, eventually taking turns for the worse. While the trailers and media interviews done in promotion of the movie tend to emphasize the New Earth Army’s more nefarious projects, Django began the program with the best of intentions: namely, achieving world peace through love and understanding. A laudable goal, to be sure – even if its implementation proved somewhat ridiculous.

However, Hooper eventually betrays Django, assuming control of the New Earth Army in order to corrupt it. (Think of Django as Obi-Wan Kenobi to Cassady’s Luke Sywalker and Hooper’s Darth Vader.) The peace, love and understanding of Django’s ’60s and ’70s give way to the greed, militarization and subjugation of – what? The Reagen ’80s? The Clinton ’90s? The Bush ’00s? All of the above? Take your pick! (The Men Who Stare at Goats is, if not anti-war, at least anti-torture.)

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Caution: Spoilers ahead.

The second-to-last episode of CSI in 2009 featured a particularly animal-friendly plot line. I say “particularly” rather than “surprisingly” because CSI has a longstanding track record of treating animals and animal advocacy issues with a modicum of respect – a practice which stands in sharp contrast to similar crime shows like Law & Order. (See, for example, Veg*nism & Pop Culture: But does Costa Rica have an extradition treaty? and Veg*nism & Pop Culture: Sara Sidle: From CSI to Terra-ist.)

Season 10, Episode 9 (Appendicitement) saw the CSI team investigating not one, but two separate murders, both of which occurred on the premises of a BBQ joint. Since IMDB has a decent writeup of the episode, I’ll let them take it away:

There are two twisty tales in Vegas tonight. Strike that, one in Vegas and one outside.

The first tale concerns lab tech Henry. Greg, Nick, and Hodges literally kidnap Henry on his birthday to take him to this great barbecue place up the road apiece called Harry’s Hog Hideout.* On the way there a crazy lady runs them off the road and the car rolls. Fortunately, none of them is seriously injured but Nick’s car is out of commission. With no cell service, they decide to walk the last little bit to Harry’s but, unfortunately, when they arrive they discover it’s been closed for seven months due to a Hepatitis outbreak. They decide to poke around and see if there’s a working phone inside.

Instead they find a dead body, a man with a raccoon attached to his face.

While Henry, disgruntled about his crummy birthday, hangs with the dead guy Hodges and Greg poke around outside. They figure out that the guy lured the raccoon to a nearby barrel and tried to kill him by filling the barrel with ethylene gas and blowing him up. The explosion threw the raccoon and the guy through the window of Harry’s. So it was an accident.

Meanwhile, Nick looks for a phone and it’s not working. He returns to the scene just as another guy shows up and pulls a gun on Henry. They make it clear that they’re cops and the guy, Slick explains that the dead guy was Gomez the cook at Harry’s, who was generally a good guy.

(Emphasis and asterisks mine, of course.)

Initially – and in breaking with the show’s usual treatment of such cases – the CSI investigators exhibit disappointingly little concern for the dead raccoon. Personally, I am lacking in sympathy for people who inadvertently blow themselves up while trying to lure a sentient being into a trap, only to torch him alive. Killing “nuisance” animals – especially when there are humane, catch-and-release options available – is bad enough; plotting to light them on fire while still alive and fully conscious is downright sadistic. Unfortunately, the CSI team doesn’t voice any of these thoughts – that is, until much later in the show.

Once the plot unfolds and the bodies are transported back to the lab, coroner David Phillips expresses grief at the raccoon’s demise. I can’t recall what exactly was said (nor did I think to save the episode on my DVR so that I might type up a transcript – doh!), but I believe that David muttered something about the human getting what he deserved and referred to the raccoon as an innocent bystander.

In other words, all is well in the Las Vegas crime lab!

Alas, we still have one body to account for…

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Oh, how the writers at The Colbert Report continue to warm my heathen vegan feminist cockles! (Dear mystery vegetarian/vegan on Stephen’s staff: Call me, mkay?)

Tuesday’s episode of The Colbert Report featured this hilarious send-up of Glenn Beck & Co.’s recent gold investment advertising-slash-infomercial media blitz. While the entire six-minute segment is amusing, gold obviously isn’t our primary focus here; no, the trenchant-as-hell bit starts at 4:15:
 

 
For those who aren’t card-carrying members of The Colbert Nation, allow me to set the bit up for you. “Prescott Financial” is a spinoff of “Prescott Pharmaceuticals,” a spoof company that “sponsors” a long-running segment on TCR, “Cheating Death with Dr. Stephen Colbert, DFA.” In “Cheating Death,” Stephen reports on actual medical stories, which are then used to promote medical breakthrough products offered by Prescott Pharmaceuticals. Ridiculously fake medical breakthrough products, with equally ridiculous and fake side effects, that is.

Likewise, in this fake ad from Prescott Financial, spokesperson John Slattery recommends investing in gold as a safeguard against the coming apocalypse. While gold’s appeal may be “elemental” (A! U!), even this most precious metal’s value is limited. For example, you can’t eat gold. Thus, Slattery recommends rounding out your portfolio with women and sheep as well as gold doubloons and bricks.

Here’s a transcript of the “commercial,” for those who can’t view the video. (But if you can, you must!)

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Because I’ve been a terribly neglectful blogger as of late – and because this isn’t likely to change any time soon, or at least not this week – I have an extracurricular activity for y’all. The challenge, should you choose to accept it, is this:

How Do You Help Animals?

We’re all able to help animals…

But we don’t need to be a full-time activist or have a rare talent to do so. Every day activities that we do at home or work can go a long way in making a difference for animals in need or educating others about animal suffering.

[The American Anti-Vivisection Society] AAVS hopes to inspire all of our readers by publishing the many ways our members and supporters help animals in every day life. For example, do you: bake delicious vegan treats for your carnivorous co-workers? Use your sewing talents to help keep animals in shelters warm? Volunteer your accounting skills for a grassroots group? Offer fresh veggies grown in your garden to give sanctuary animals a tasty treat? Photograph animals in shelters to help them find homes? Donate gently used animal rights literature and publications to your local library? Or maybe you help animals in another creative way.

If so, please submit your story in 250 words or less, along with your name and complete contact information, to aavs [at] aavs.org by Monday, December 14, 2009.*

*By submitting your story, you grant the American Anti-Vivisection Society permission to use your name and written submission, in whole or in part, in the AV Magazine or any other AAVS publication, print or electronic.

The photo at the top of this piece is from the lovely and talented Ari Moore, who – along with her partner, the equally lovely and talented Shira Golding, and in collaboration with The Dacha Project and Shaleshock Citizens Action Alliance – produced a “short environmental zombie thriller” called Frac Attack: Dawn of the Watershed in order to protest natural gas drilling in Ithaca, New York. (How’s that for a run-on sentence, hmmm?) Total awesomeness, though team shirari makes me feel like some kind of slacker. You can learn more about the project on the film’s website or Facebook fan page.

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Caution: Minor spoilers after the jump!

As y’all have probably surmised, I watch no small amount of television. (More than I should, one might argue.) In particular, I’m always on the lookout for shows with progressive, pro-animal, pro-woman, pro-GLBTQ (etc.) themes – and Parks and Recreation is fast becoming one of my all-time favorites.

Like Bitch’s Kelsey Wallace, I’m tickled (not-pink!) by the feminist turn the show’s taken in Season 2. Amy Poehler’s Leslie Knope is looking less and less like a womanly Michael Scott (read: a racist, sexist douchebag with a dwindling pool of redeeming qualities) and more like a goofy, less intellectually endowed version of Hillary Clinton. The walls of Ms. Knope’s office are decorated with framed snapshots of woman politicians (Hillary Clinton, Condoleezza Rice, Madeline Albright – hey, what are political parties against the bond of sisterhood?); when judging a beauty pageant, she weighted the contestant’s brains above all else; and her accidental marriage of two male penguins at the Pawnee Zoo (I know, zoos, ugh!) scored her a gig as a guest DJ at the local gay club (though the penguins were sadly split up at episode’s end).

Season 2′s episode 9, “The Camel” – which aired the Thursday before last – was especially awesome. I’ve embedded the entire episode above, but the most awesomest of the awesomeness is all of 30 seconds long. Since the video will only be available on Hulu for a limited time, I’ve also taken screenshots so you latecomers can follow along.

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I just spotted this notice from Farm Sanctuary in my inbox and thought I’d share. Tune in to Fox tonight at 8PM Eastern time, where the “darkly comic procedural drama”* Bones will feature undercover factory farm footage secured by Farm Sanctuary and specially requested by the show’s star – fellow vegan Emily Deschanel.

Alas, I won’t be watching. Though I adore Bones, I’m somewhat of a newbie fan, and am only halfway through Season 4 on DVD. Tonight’s episode will languish on my DVR until the Mr. and I catch up. So no spoilers, mkay?

———- Forwarded message ———-
Date: Thu, Nov 5, 2009 at 4:04 PM
Subject: TONIGHT: Hit Fox Show “Bones” to Spotlight Farm Sanctuary Factory Farming Footage

Kelly,

Very exciting news! Tonight’s episode (8pm/7 Central) of the hit FOX show “Bones” will be spotlighting Farm Sanctuary footage of cruel factory farming practices. Please see below for full details. Make sure to tune in and please spread the word!

All the best,

Meredith

FOR IMMEDIATE RELEASE:

Farm Sanctuary Footage of Cruel Factory Farming Practices Spotlighted on Hit FOX TV Show “Bones”

NEW YORK, NY – November 5, 2009 – Tonight’s episode of the hit FOX television show “Bones” (airing at 8pm/7 Central), starring vegan actress and Farm Sanctuary supporter Emily Deschanel, will prominently feature factory farming footage secured by Farm Sanctuary, the nation’s leading farm animal protection organization, as part of a plot-line surrounding a murder that takes place at a chicken farm.

The footage, which was requested by Deschanel, will educate thousands of mainstream viewers about the cruel conditions animals are forced to endure on factory farms. The episode also features a character who rescues a pig and asks her coworkers for donations so that she can sponsor her at a sanctuary.

To further raise awareness of the horrors of factory farming, FOX is featuring a special message from Deschanel on their website (fox.com/bones/) urging people to support Farm Sanctuary by sponsoring an animal in need.

To learn more about “adopting” one of Farm Sanctuary’s rescued animals, please visit farmsanctuary.org.

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I know y’all hear this entirely too often, but it’s been a long time since I last posted an intersectionality link roundup. Too long! What can I say? VeganMoFo monopolized my October. (But seriously, we have to stop intersecting like this.)

Alas, many of these links are a little older, but still worth a look.

Jennie @ That Vegan Girl: Vegans and vampires and

Breeze Harper @ Vegans of Color: Twilight and Vegetarian Vampires? New Philosophy book…

Though I’ve shied away from the Twilight series due to its not-so-subtle misogyny, I may have to reconsider, given the books’ allusions to vegetarianism. Nor is vegetarianism an uncommon theme in vampire fiction. In the first link, Jennie explores vegetarianism and veganism in Stephenie Meyer’s Twilight, as well as the HBO TV series True Blood (which is based on another series of books, Charlaine Harris’s The Southern Vampire Mysteries). In the second, Breeze Harper of VOC points to a new anthology on the subject, Twilight and Philosophy: Vampires, Vegetarians, and the Pursuit of Immortality, which has since been added to my wishlist.

Ari Solomon @ The Huffington Post: The Feminist’s Dilemma

Vegan entrepreneur and dudely feminist (or pro-feminist/ally, if you prefer) Ari Soloman argues that the plight of nonhuman animals is indeed a feminist issue. Using the lives and deaths of “dairy” cows as an example, he posits that the human exploitation of nonhuman animals is oftentimes gendered, with the females of the species suffering especially brutal and prolonged abuses – all because they’re capable of perpetuating the species/industry. Naturally, I agree.

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