Yikes! It’s been way too long since my last intersectionality link roundup and, as a result, I’ve managed to stockpile a ridiculous number of links – all without keeping current, naturally. Here’s the first batch; look for the second (or ninth, rather) installment later this week.

Making Hay: Animal Rights Is a Universal Issue

Farm Sanctuary’s Jasmin Singer recently traveled to Johannesburg, South Africa, in order to attend the South African Law Review Consultation Workshop, organized by Animal Rights Africa (ARA) “for the purpose of initiating a transparent public process of South African animal protection legislation review.” Here, she shares her experiences and offers a little background on ARA.

You can find out more about Animal Rights Africa’s work – and what you can do to help – on their website at www.animalrightsafrica.org.

VegNews: Backstage Pass: Erykah Badu

Via BlackVegan, a short-but-sweet interview with vegan singer/songwriter Erykah Badu, my favorite exchange of which is this:

VN: Is vegan food the new soul food?

EB: Vegan food is soul food in its truest form. Soul food means to feed the soul. And, to me, your soul is your intent. If your intent is pure, you are pure.

Racialicious: An Interview with Bryant Terry on Race, Class, Food, and Culture – Part 1

Speaking of soul food, Racialicious recently featured a lengthy interview with Bryant Terry, author of Vegan Soul Kitchen.

A snippet:

One of the biggest things I uncovered in my work, especially working with young people in New York City through the organization I founded called B-healthy, is that a lot of people living in low income areas and urban areas are living in what are known as food deserts. They have very little access to fresh food – healthy, local, sustainable, all that – and have an overabundance of the worst foods, the fried things, the packaged fast food that has a negative impact on their overall health. Lack of access to healthy food is a huge issue, and it’s only one indicator of material deprivation these people are living with. In these neighborhoods, I visited, it wasn’t as if they just lacked access to healthy food and everything else was great. Usually it would be failing infrastructure, dilapidated schools, high levels of illiteracy, low income. So I think it is one issue that has to be addressed of many among these people living in these historically excluded communities are dealing with.

“Part 1″ seems to imply that there’s a “Part 2″ in the works – indeed, the interview ends with a promise of more to come – but a Google search has yet to reveal a follow-up.

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Back in June, I raved about Green Porno, a subversive (and delightfully cheesy!) documentary series starring Isabella Rossellini (whom I’ve had a massive girl-crush on ever since her turn as Katya Derevko in Alias). Green Porno examines the sex lives of nonhuman animals – which, oftentimes, are far from “conventional.” To this end, the show has great potential to change how humans view “others”: women, homosexuals, transgendered persons, gender nonconformists – and even nonhuman animals.

To this, I’d like to add that, in addition to their anti-sexist, anti-homophobic, anti-transphobic, anti-anti-sex thrust (pun most definitely intended), these shows are anti-speciesist as well.

While [the] disavowal of animal homosexuality and sexual variety serves to justify and reinforce “isms” directed at humans (homophobia, transphobia, misogyny, etc.), it at also functions at another level. In denying non-human animals the full range of their behavioral, emotional and sexual expression, we rob them of their complexity, their personality – for lack of a better term, their humanity.

Like us, non-human animals can be complicated creatures, driven by a range of goals and desires. Animals, humans included, aren’t just about reproduction; our sole purpose in life isn’t simply to spread our DNA and produce as much offspring as possible. Sometimes we have sex, mate and form bonds because it’s fulfilling in other ways. Nor do we only nurture and protect our own genetic material: sometimes we act with altruism and compassion rather than selfishness and narcissism.

By insisting that animals only copulate in order to introduce sperm to egg, we simplify trillions of sentient beings, taking from them characteristics which make them seem that much more human.

Ironically, in so doing, we also reduce the human species to a caricature, a boring, two-dimensional model which scarcely resembles h. spaiens, in all its diverse, eccentric, animalistic magnificence.

Watching animal sex play out amidst kindergarten construction paper cutouts and human-sized bodysuits, the viewer (hopefully) comes to see nonhumans as the unique individuals they really are. When one ceases to regard a group of beings as a single, undifferentiated mass of “stuff,” othering them – based on species, sex, sexuality, race, breed or whatnot – becomes a difficult, twisted task indeed.

Season 1 focused on bugs (spiders, flies, earthworms), Season 2 on ocean dwellers (barnacles, whales, starfish). Both Wiki and I had thought Season 3 would shift focus to farmed animals such as pigs and cows, but it looks Season 3 will continue to examine marine animals. In a subtle shift from Season 2, however, Rossellini’s attention turns to ocean dwellers whom we commonly kill and eat (and oftentimes “farm” as well).

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Okay, that’s it. I’m now convinced that there’s a vegan, vegetarian or animal advocate of some stripe on The Colbert Report payroll. This segment is just too spot on to have been written by an unrepentant speciesist.
 

 
In just three minutes, Colbert touches upon several important points:

1 – Sensationalist predator programming like “Shark Week” perpetuates the myth that many wild-living animals, including sharks, are dangerous creatures who are out to get us. They are to be feared – and also dominated, conquered and killed. It’s “us or them,” right?

2 – The Discovery Channel is doubly irresponsible in its demonization of species which are largely endangered.

3 – Promoting shark “conservation” during Shark Week commercial breaks? Batshit insanity! (Can I say that? Is “batshit insane” a speciesist phrase? Any vegan linguists in the house?)

4 – Humans pose a much greater threat to other humans than do sharks. In fact, humans pose the greatest threat to all life. We’re the ultimate monsters, yo.

5 – Mainstream media: FAIL.

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Question: What happens when the spirit of viral video meets journalism?

Answer: Trenchant hilariousness.

First, Dana Milbank and Chris Cillizza of the Washington Post give it a try:
 

 
Next up, two unnamed everydudes:
 

 

I don’t know about you, but I’d much rather have a beer with the everydudes. I’m not usually a fan of the bathrobed-at-2 PM look (and I write this from the comfort of my couch, in last night’s jammies, at 11 AM), but it sure beats smoking jackets and pipes.

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Update, 3/18/10: I will see you an animal-friendly film list and raise you television, music, literature and theater. All this and more at POP! goes The Vegan.

Recently, Lindsay at Female Impersonator was struck with the notion to compile a list of films that pass the Bechdel Test. In researching the issue, she found several existing sites which essentially offer the same service, and served them up in a mini link roundup. This all got me thinking about pop culture, female representation, feminist flicks – and, from there, the non-human animal equivalents.

For those who have never heard of the Bechdel Test, it’s pretty simple. The “test” is a set of criteria which a movie must meet or exceed in order to “pass,” namely:

1. There [are] at least two named female characters who
2. talk to each other
3. about something besides a man.

The Bechdel Test – also called the Mo Movie Measure or Dykes to Watch Out For – was popularized by cartoonist Alison Bechdel, in a 1985 strip of the comic Dykes to Watch Out For called “The Rule.”

Like I said, pretty simple; and yet, precious few films pass (and many of these, just barely). For example, check out the Bechdel Test Movie List, a sort of user-generated database that rates films on each of the three criteria. It’s not a super-long list, and only about half of the icons are smiling with approval.

Feminist blogs are just as prone to misogynist trolls as animal rights blogs are to those of the speciesist variety; pop culture criticism, in particular, seems to bring the anti-feminist trolls out in droves. (Dudes do not like it when women try to encroach on “their” pop culture, I tell you what.) The mere mention of the “Bechdel Test” is enough to elicit a self-righteous wave of privileged male backlash – despite the rather low bar set by said “test.”

In defending my review of Vantage Point (which passed the test, but barely), I observed,

Rather than being “bullshit,” the Bechdel test is the minimum fucking standard that (most) movies should be held to. It’s pretty simple: two women, who utter at least two sentences to one another during the course of 90+ minutes, about something other than teh menses. Like, seriously: two women, two sentences, not revolving around men. That’s a low bar, especially when you consider that almost every damn movie ever made in the history of the world features two+ men, talking to each other, about something other than women. And yet, somehow it’s a huge fucking ordeal for Hollywood to make a film that features two women whose lives do not revolve around men.

I say “most” because, obviously, there will be the odd exception; movies set in all-male spaces, such as an all-male school or such, can be excused for not featuring (m)any female characters, just as movies set in all-female spaces may not have equal male representation.

Okay, so I was a wee bit angry, given that I was responding to a (now-banished) troll, but you get the idea.

To this, I’d also like to add that fans of the Bechdel Test, by and large, don’t expect every film, without exception, to pass; this would be unrealistic. Films set in all-male spaces, or that focus on men’s relationships with one another, are obviously less likely to pass, and with good reason. The problem lies not in any individual film, but in the overwhelming number of movies that fail the test – it’s collective. Likewise, there are very few films that predominantly feature women (so much so that the film would fail a male version of the Bechdel Test – the “reverse Bechdel,” if you will); and those that do are more often than not dismissed as “chick flicks” (whereas movies featuring a preponderance of men are simply “flicks”). Add it all up, and Hollywood, we have a problem.

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On Wednesday, journalist Peter Laufer appeared on The Daily Show in order to discuss his newest book, The Dangerous World of Butterflies: The Startling Subculture of Criminals, Collectors, and Conservationists. While the material might seem rather lighthearted – especially in comparison to his previous subjects, which include neo-Nazism, illegal immigration and the Iraq war – the illegal butterfly trade is nothing to scoff at, as he explains:
 

 
Naturally, even the so-called “butterfly huggers” (e.g., the North American Butterfly Association, the International Butterfly Breeders Association) view butterflies as a collection or a part of nature or ecology as opposed to the many individual beings that they are. Or, put another way, butterfly conservation is more about environmental protection than animal rights – or even welfare. Even so, The Dangerous World of Butterflies sounds like an interesting read, since butterfly collecting isn’t normally a “hobby” that’s equated with danger (nor are butterflies the first group of animals to come to mind when one thinks of wildlife “poaching”).

During the interview, Jon wonders why one might want to collect butterflies, due to their short life spans of a week or two. According to Wiki, this is a bit of a misconception:

It is a popular belief that butterflies have very short life spans. However, butterflies in their adult stage can live from a week to nearly a year depending on the species. Many species have long larval life stages while others can remain dormant in their pupal or egg stages and thereby survive winters.

Butterflies may have one or more broods per year. The number of generations per year varies from temperate to tropical regions with tropical regions showing a trend towards multivoltinism.

Not that the butterfly’s life span really matters – for, as Laufer explains, it’s not the aim of collectors to house a population of living butterflies. Rather, collectors view butterflies as objects to be exhibited, much like artwork. In this way, the appeal of “owning” the corpse of a butterfly belonging to a protected or endangered species is much like that of owning a stolen piece of art.

As morbid as this attitude is, I’m not sure it’s all that different from that of butterfly conservations, who view their objects of admiration as pieces of a whole, cogs to be manipulated and controlled in order to achieve a desired result. A thousand Schaus Swallowtails, for example, aren’t significant as a thousand living beings, but as representatives of an endangered butterfly species. To conservationists, the beings are all interchangeable members of a species, much as their corpses are interchangeable pieces of valuables and artwork to poachers and collectors.

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Via Blamer moodygirl comes the following SNL skit, “Cluckin Chicken,” which takes the Suicide Food phenomenon to a whole new level. (Indeed, Ben included the video as part of a “Fictional Suicide Food Emeriti” roundup last May.)

Warning: the video contains some graphic footage of a chicken corpse being “cleaned” and “quartered.”
 

 
About twenty seconds into the video, my husband popped up over my shoulder to ask if I was watching an actual commercial. Such is the depravity of modern “meat” advertisements.

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Update: 6/19/09: Using the random number generator www.random.org – which selected the #4 – we have a winner! Sharon, I’ll contact you at the email address you provided in order to get your shipping info.

Thanks for playing, everyone. I’ve seen a few similar contests pop up here and there, so if you didn’t win, keep an eye on your favorite veg blogs for more chances to enter!

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We’ve all been hearing about the new documentary Food, Inc. for what seems like months now, and tonight it finally opens to limited release in Los Angeles, San Francisco and New York. Additional screens will be added on 6/19, and every weekend thereafter – through at least mid-August, it looks like. You can view the entire list of play dates here. (Sadly, Kansas City didn’t make the cut, so I guess it’s Netflix for moi.)

In honor of the release, the kind Food, Inc. PR peoples offered me a copy of the film’s companion book, also called Food, Inc., as well as Eric Schlosser’s Fast Food Nation: The Dark Side of the All-American Meal (the film adaptation of which is still languishing in my Netflix queue; what can I say, I’ve been on a period piece kick as of late!).

They also offered up a set of the books for a reader giveaway. My first ever, at that!

So here’s the deal: in order to win a copy each of Food, Inc. and Fast Food Nation, drop a comment on this post and name your favorite animal-friendly movie: Babe, Behind the Mask, Harry and the Hendersons, whatever. It doesn’t have to be a documentary, in fact, the more creative, the better. Entertain me! A mention of this giveaway on your blog will earn you a second entry (just make sure it shows up here as a trackback, or else leave a second comment with a link to your blog post).

[Updated to add: The PR people didn't mention location restrictions, and I totally forgot to ask, so I'll assume for the time being that they'll only mail the books to U.S. residents. Mylène, if you win, I'll personally ship you your set if need be, since that's only fair!]

The contest ends next Friday, 6/19 at 2 AM, CDT, and I’ll announce the winner sometime that day. (Not often you see Central time, eh?)

By the way, I’m 99.9% sure that I managed to fix the comment issue I mentioned last week. Somehow, somewhere, some way, a requirement that users must be logged on to Word Press in order to comment was accidentally enabled; don’t ask me how. It should all be fixed now, but if you run into any issues (knock on sustainable wood), please email me at easyvegan [at] gmail.com. Or, if instant gratification’s your thing, tweet me @easyvegan.

In the meantime, keep reading for some additional info about Food, Inc. (which, much like Fast Food Nation, seems to be more welfare-oriented, but may still be worth checking out – if only to praise the good and refute the bad).

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…started last Friday on Animal Planet. (And yes, I’m way behind on my email, thanks for asking.)

I must admit to never watching Whale Wars; while, one the one hand, I recognize the need to support animal-friendly programming such as WW, I really can’t bring myself to watch the more graphic, gruesome stuff. I already know what a bloody, needless mess whaling is – no need to voluntarily witness footage of such, thus giving myself a week’s worth of nightmares.

That said, many thanks everyone who does tune in to these kind of shows, thus helping to keep them on the air!

Anyhow, Matt from Animal Planet provided links to several news season 2 Whale Wars videos on You Tube.

The Season 2 trailer is relatively blood-free, save for a brief shot of a whale being harpooned and pulled towards a whaling ship:
 

 

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I’ve heard mention of Isabella Rossellini’s latest project, Green Porno, here and there – ecorazzi, The Colbert Report, CNN even – but never bothered to follow up, seeing as I don’t get the Sundance Channel and all. But an article in Bitch magazine’s Spring ’09 issue (No. 43, appropriately titled “the buzz issue”) made me take a second look.

In “Wings of Desire: Bug sex as a gender revolution,” Katura Reynolds examines the subversive nature of Green Porno (as well as British evolutionary biologist Olivia Judson’s alter ego, Dr. Tatiana): by depicting (non-human) animal sex in all its kinky, decidedly non-vanilla glory, these projects challenge our traditional views of what “natural” sexuality and gender expression look like in the animal kingdom.

“Bug sex” is so much more then heterosexual, missionary style pairings: bugs may be male, female, or hermaphrodites; heterosexual, homosexual or asexual; reproduce through sexual activity, parthenogenesis, or an alternative combination thereof; etc. (Some, like the preying mantis, even engage in sexual cannibalism, consuming their partners during coitus.) The same holds true for many animal species, humans included; for example, in his 1999 book, Biological Exuberance: Animal Homosexuality and Natural Diversity (which I highly recommend, by the way), Bruce Bagemihl reviewed existing evidence which points to observed homosexual behavior in nearly 1500 animal species.

Green Porno, which is currently in its second season and airs on the Sundance Channel Tuesdays at 9 PM ET, is a bit cheesier and cheekier than its British cousin, – which is so raunchy that it’s not even available on Region 1 DVDs, let alone running on U.S. television. (You can, however, view a few clips of the show on You Tube.)

Writes Reynolds,

The eight short films in [season 1 of] Green Porno were written by Rossellini and codirected with Jody Shapiro. They feature Rossellini acting out the sex lives of flies, praying mantises, earthworms, dragonflies, gees, fireflies, snails and spiders. The films are simultaneously hilarious, scientifically accurate, unrepentantly corny, compellingly sexy, and completely bizarre. [...]

Rossellini strives for a simple, childlike atmosphere in the films. She starts each in a bodysuit, saying, “If I were a [type of bug],” and then her costumes gradually build as the film progresses: extra arms, compound eyes, snail shells, you name it. The props and supporting characters are made from giant cut-paper sculptures, like she’s wandered into a kindergarten classroom plastered in giant paper flowers.

The schoolroom setting is chosen very deliberately – it’s a foil for overtly sexual content. Rossellini gets it on with huge paper models of flies, mantises, and bees; she gasps and moans in orgasmic ecstasy as a firefly and a snail; she runs around waving hands covered in paper cutouts of sperm as a spider. As stated in the press release, “If human, these acts would not be allowed to air on television. [Indeed, Dr. Tatiana's human reenactments and live non-human animal footage is not.] They would be considered filthy and obscene.” But the silly costumes and absurd props distract audiences from the flagrantly, graphically sexual content. Comedy often serves as a harbor for the unspeakable. By laughing at the silliness of it all, we can disarm the taboo.

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