(Full disclosure: I received a free copy of this book for review from the publisher, as well as an electronic ARC on Edelweiss.)
Humanity continues to kill, to massacre, to persecute, with increased ruthlessness. Before eyes that are increasingly indifferent, passive. When not complicit. There’s no pity for the elderly, for women, for children. There’s no pity for anyone anymore. Man is wolf to man, today as much as – and more than – yesterday.
The older generations seem to have learned very little; the new ones don’t seem to want to learn any more. Wars continue to sow slaughter. Behind the barbed wire of new concentration camps, it has gone one; humanity has gone on being suppressed.
Most of all, this book aims to be – attempts to be – a contribution to the just “revolt” on behalf of those who feel like they can’t, in spite of everything, resign themselves to a monstrous, terrifying reality. Those who believe they must still and always “resist.”
– Arturo Benvenuti, “Without Words”
Born in 1923, Arturo Benvenuti – poet, painter, researcher, accountant, and banker – was just a young man during World War II. Yet his lack of civil engagement haunted him for decades, and the feelings of guilt and powerlessness – reflected in his poetry – eventually proved the impetus for the KZ Project.
In September of 1979, at the age of fifty-six, Arturo and his wife Marucci loaded up their camper and began what would become a lifelong journey: traveling throughout Europe, visiting former Nazi concentration camps (including Auschwitz, Terezín, Mauthausen, and Buchenwald), and meeting with as many survivors and veterans as he could. He also combed through local history museums, public libraries, and public archives, trying to piece together “visual testimonies” of the camps.