Book Review: Fury (Menagerie #3) by Rachel Vincent (2018)

Tuesday, January 7th, 2020

The series that started with a roar goes out with a weak, acquiescent whimper.

two out of five stars

(Full disclosure: I received a free e-ARC for review through NetGalley. Trigger warning for violence, including rape and forced abortion, pregnancy, and birth. This review contains clearly marked spoilers.)

“I cry foul. Humankind doesn’t deserve a sword and shield. Or even a plastic spork. Not after everything they’ve done to us. You should be fighting for us.”

If Menagerie – the first book in this trilogy – was a 2020 Democratic Presidential hopeful, it would be Bernie Sanders. Fury, on the other hand? More of a Joe Biden. Pete Buttigieg, at best.

Look. I absolutely loved, cherished, and adored Menagerie herunterladen. Reading it was a rapturous moment for me, and for reasons that something like 97% of my fellow readers just won’t get. While the plight of the cryptids in this parallel universe created by Rachel Vincent has several obvious and unmistakable corollaries in our world – the treatment of Muslims in post-9/11 America, the demonization of brown immigrants, especially (but not exclusively!) under a Drumpf presidency – at the time I argued that the most obvious one was also the most apt: simply put, “Menagerie reads like a thinly veiled animal rights revenge fantasy.” Was that Vincent’s intention? Probably not, especially given how the later books played out. Like Oreos, Menagerie was accidentally vegan. But that doesn’t make it any less delicious.

My main gripe with its follow-up, Spectacle, wasn’t that Vincent walked back the animal-friendly undertones, but rather that she failed to tread any new ground. By swapping the site of Delilah’s enslavement and oppression from Metzger’s Menagerie (a struggling traveling circus) to the Savage Spectacle (a place where cryptids are rented out for basically anything, from canned hunts to rape), it seemed like she meant to up the stakes:

Establishments like the Savage Spectacle were whispered about in hushed, fearful tones from behind the bars of Metzger’s Menagerie fotos von facebooken. They were the boogie men that Metzger used to keep his captives in line: act up, and you’ll end up at a place even worse than here. But is it? Really?

While rape in the form of sexual trafficking is rampant at the Spectacle, rape also occurred at Metzger’s: he forced “exhibits” to breed so that he could sell their offspring. Instead of forced abortion, as at Spectacle, Metzger’s had forced pregnancy and birth. Captives were not intentionally murdered at the carnival, but they were neglected and sometimes shipped off to places where they would be killed, such as research institutions or game preserves.

Is it really possible to rank oppressions?

I feel like Spectacle is Vincent’s attempt to up the ante, to create a world more shocking and appalling than even Metzger’s. And I don’t think that’s possible, because again: how do you compare atrocities? It’s all terrible and horrifying and makes anyone with an ounce of humanity not want to live on this planet anymore dropbox album downloaden.

Fury, on the other hand, represents a serious (and seriously disappointing) deviation from the much more radical and subversive Menagerie. Also, very little happens. Something like 75% of the book involves the main characters hiding out in a remote cabin, or sitting in their cars drinking slushees for the free incognito wifi. I shit you not.

Fury picks up nine months after Delilah & Co.’s escape from the Savage Spectacle. After they disabled Vandekamp’s ability-inhibiting shock collars and high-tailed it out of there, the government bombed the facility. The unlucky cryptids and abusive guards trapped inside were written off as collateral damage. On the upside, they have no idea how many cryptids survived – and escaped. They do suspect that Delilah and Gallagher are out there, BUT they remain blissfully unaware of Delilah’s pregnancy. Which is pushing ten months and might end with her demise at the chubby little hands of a fear dearg baby tik tok video herunterladen ohne wasserzeichen.

Delilah, Gallagher, Lenore, Zyanya, Claudio, Genni, Rommily, and Eryx are all hiding out in an off-grid cabin in the deep woods outside of DC. Lenore sirens people into giving them cash monies to survive, and she and Delilah – the most human-looking of the group – go into town once a week to check the news feeds. They mean to be searching for the missing members of their group – Lenore’s husband, Rommily’s sisters, Zyanya’s brother and children – but it’s hard to get anything done when you’re a notorious fugitive.

And then a spate of mass murders whips everyone into a frenzy. Teachers kill students, nurses kill patients, police kill civilians, soldiers kill everything that moves. Some begin to fear that this is the beginning of a second reaping. Cryptids are scapegoated all over again. Though it seems that things can’t get worse for nonhumans, the bottom drops even lower: checkpoints are set up, with orders to shoot loose cryptids on sight Need for speed most wanted 2005 free.

And then things really go off the rails when Delilah wakes up one morning covered in blood and grime. It seems she killed someone in her sleep; but with two badasses taking up space in her body – the furiae and her fetus – it’s anyone’s guess who the murderer is…or why the victims’ faces all look eerily similar in death. One thing we do know: she can’t stop won’t stop.

All this plays out against the backdrop of the first Reaping in 1986, as told from the POV of fourteen-year-old Rebecca Essig, one of the few kids who was lucky enough to survive the mass slaughter by virtue of having other plans that night. She was at a slumber party, only to skip out early and find two of her three younger siblings dead, and her parents covered in blood. Eventually, the government would take her six-year-old sister Erica – really a changeling, or surrogate – into custody, never to be seen again. Rebecca’s story centers on her search for the real Erica, and converges with Delilah’s in unexpected (and often confusing) ways.

*** So here is where the book goes terribly wrong (and where the SPOILERS start). ***

It turns out that, of the hundreds of thousands of surrogates that the government rounded up in 1986, five or six thousand survived. They have been kept in a Guantanamo-like facility, under the control of Vandekamp’s collars, presumably for research and interrogation herunterladen. However, when Delilah and her friends disabled the collars, they disabled the whole lot of them, allowing the surrogates to escape.

Now in their mid-thirties, the surrogates aim to kickstart a second Reaping, this time by turning authority figures against the very people they should be protecting and serving. Hence: teachers vs. students, nurses vs. patients, cops and soldiers vs. civilians. I think – hope! – you can see where I’m going with this.

This plot like leads to some pretty cringe-worthy exchanges between the MCs. To wit:

“Authority figures.” My voice hardly carried any sound. “Instead of parents. The surrogates could be using authority figures this time. Anyone we’re supposed to be able to trust to protect us.”

“And now—maybe—they’ve found a new way to get to us,” Lenore said. “To make us suspicious of the people we should trust the most.”

and:

“They’ll keep feasting on our pain and chaos for as long as possible herunterladen. They’ll keep turning teacher against student, nurse against patient, soldier against civilian. Stealing trust and security from us. Making us fear the very people who should protect us.”

Soldiers and cops, really? “People we should trust the most”? You can tell that a white person wrote this, the privilege is blinding. And in a story that’s ostensibly about the othering and oppression of marginalized communities, to boot. Like, I’m a middle-class white lady and even I get nervous around people with guns who can use them with near impunity. Crazy, that.

Put another way: anyone who’s paying even the slightest bit attention is already suspicious of militarized authority figures like soldiers and the police.

The ending, though? OMG, the ending. I can’t even with this appeasing centrist bullshit.

Because Delilah is tangentially responsible for the escape of the surrogates, the furiae has taken it upon herself to send out a sort of homing signal, luring all the escapees to Delilah’s doorstep. Once they meet, the furiae assumes control of Delilah’s body and straight-up slays them; there is no self-inflicted poetic justice here starcraft 1 kostenlos downloaden vollversion. (Hence the sleep-killing.) But killing them one at a time is a slow process, so Delilah hatches a plan to get thousands of them in one place and induce mass slaughter – with a human audience, so that they can see that we’re all on the same team. Gross, vomit, no want.

“I cry foul. Humankind doesn’t deserve a sword and shield. Or even a plastic spork. Not after everything they’ve done to us. You should be fighting for us.”

“Lenore, I’m not choosing humankind over cryptids. This isn’t us versus them. The surrogates are the enemy. And the only way humankind will ever understand that is if we show them that the rest of us are all on the same side.”

Uh, but you’re not. And this won’t work. Let me tell you why.

In the wake of 9/11, many Muslims denounced the actions of the hijackers; 6,024 self-identified American Muslims fought in the Iraq and Afghanistan wars, fourteen of whom were killed overseas tiptoi abenteuer tierwelt herunterladen. Yet none of this has stopped countless right-wing politicians and commentators from condemning, vilifying, and marginalizing all 1.8 billion Muslims in the world because of the actions of a few. (Meanwhile, domestic terrorism largely remains the purview of white men, and yet you rarely hear calls for white men everywhere to disavow John Timothy Earnest or James Alex Fields Jr., lest they be guilty by association.)

Immigrants have a lower incarceration rate than natural-born citizens, yet the facts don’t stop 45 from saying things like “When Mexico sends its people, they’re not sending their best. They’re bringing drugs. They’re bringing crime. They’re rapists. And some, I assume, are good people.” Hell, some immigrants even put their bodies on the line by serving in the military, only to be deported once they return home. “Same team” my ass.

I could go on but this is depressing.

Bigotry is born of fear, sure; and this fear is often misplaced. But this assumes that people are open to education and growth, and often it’s just the opposite (deplorables in the house!). Bigotry is stubborn and entrenched, y’all vlc download for free german windows 10. Sometimes people are just fucking horrible. Also consider that oppression is profitable. We’re not afraid of most nonhuman animals, yet we continue to exploit them; and, in this AU, cryptids are a big busine$$. Circuses and carnivals, research facilities, controlled hunts, unpaid labor, rape and forced birth, exotic meats, the military-industrial complex. Political capital and mobilizing the base. Humans have so very much to gain by keeping this system of dehumanization and oppression going.

Delilah’s sacrifice, the denouement of this story, is more tragic than noble. Menagerie had me hoping for total animal liberation: nothing more, nothing less. What we got was some half-assed, “hearts and minds,” if we cut off a limb for them, maybe they will deign to acknowledge the basic humanity in us, bullshit.

As far as I’m concerned, her story begins and ends with Menagerie. Spectacle is just kind of meh, while Fury is legit a slap in the face to everyone who rooted for Delilah and her adopted family of cryptids (and, by extension, the marginalized populations they represent in our own world).

Additional quibbles:

Gallagher’s only method of communication seems to be growling.

I do not like that he and Delilah hooked up; it feels like a really gross and icky taboo violation, and besides, can’t men and women ever “just” be friends (or champion and cause, as it were)?

Finally, Eryx. Oh, poor sweet Eryx. You and Rommily deserved so much better. We all did.

/rant

(This review is also available on Amazon, Library Thing, and Goodreads. Please click through and vote it helpful if you’re so inclined!)

Book Review: Spectacle (Menagerie #2) by Rachel Vincent (2017)

Tuesday, July 3rd, 2018

Missing that certain indefinable something that made MENAGERIE so special.

three out of five stars

(Full disclosure: I received a free e-ARC for review through NetGalley millimeter paper download excel. Trigger warning for violence, including rape and forced abortion.)

“This one isn’t like the others,” the woman—his wife?—said, and the sharp edge in her voice could have cut glass.

“I’m like them in every way that matters,” I insisted.

I frowned, studying the dryad. She looked different from when they’d taken her the afternoon before, but I couldn’t…

Her hair grafikkarte treiber herunterladen. She’d had several beautiful whitish blooms blossoming in her hair.

Now those blossoms were gone.

One of the other ladies knelt next to her and laid a hand on Magnolia’s shoulder, but the nymph turned on her, teeth gnashing. Mossy-green eyes flashed beneath the tiny woody tendrils growing in place of her eyelashes.

“Oh…” Simra breathed, and I turned to her with a questioning look cewe download. “They got rid of it.”

“It?”

“The baby.”

“She was pregnant?” I whispered, horrified. “Vandekamp ended it?”

“His wife. She won’t let the ‘monsters’ breed.”

The only thing I could imagine worse than being forced to end the pregnancy was how Magnolia might have gotten pregnant in the first place microsoft word for xp for free.

When Menagerie debuted in 2015, I devoured an early copy faster and with more passion than a piping hot bowl of Daiya cheese sauce. It alternately had me squealing in delight, pumping my fist in the air, and squirming in my seat as if a whole mess of fire ants had set up residence there herunterladen. More than anything, Menagerie inspired a jaw-dropping sense of disbelief: am I really reading what I think I’m reading here? I then went on to spend most of the next five days writing one of my most epic reviews ever. (Rivaled only by my treatise on The Female of The Species.)

Since then, I’ve read it several more times, including on audiobook, which incidentally spawned one of my favorite video recordings of one of my favorite rescue dogs, Mags (she of The Hunger Games fame; her son’s name is Finnick) darktable herunterladen.

When the sequel was finally (!) released into the wild, I promptly requested an ARC on NetGalley…and then proceeded to sit on it for more than a year. I was just so scared to touch the damn thing! While Menagerie was most likely meant as an allegory for the treatment of Muslims (and brown people as a whole) after 9/11, it was impossible for me not to read it as a story about animal rights, however unintentional jö club app herunterladen android. (In the vegan community, we call this “accidentally vegan,” like Oreos. Yum!)

Every mistreatment of the cryptids in Delilah’s world – both the humanoid and more “bestial” ones – has an obvious and devastating corollary here in the real world, in our interactions with nonhuman animals. From forced impregnation to the separation of parents and children; the exhibition of animals in zoos and circuses; vivisection, including for the most trivial of reasons, like developing new household cleaners; physical punishment under the guise of training; and even crush videos and bestiality how can I download videos from facebook. And while we dismiss these atrocities since they’re “only animals,” Vincent nails the crux of the issue in Menagerie: it’s not intelligence that counts, or DNA, or one’s physical approximation to humans. The only thing that matters is sentience: a being’s ability to feel pain (or joy) and suffer.

The question is not, Can they reason herunterladen? nor, Can they talk? but, Can they suffer? – Jeremy Bentham

The cryptids in Menagerie are indeed sentient – as are the billions of nonhuman animals we enslave, torture, and kill every year. It’s impossible not to draw parallels.

And yet. Given that I’m 99.9% positive these parallels were unplanned, I worried that Vincent would walk them back in the sequel; undo some of the amazing arguments put forth in Menagerie whatsapp backup aus google drive herunterladen. And so I hemmed and hawed and put Spectacle on the back burner until I could stand the suspense no further.

The good news is that my fears were largely unfounded. While the moral and philosophical underpinnings of Delilah’s furiae – so eloquently (though not imperfectly) laid out in Menagerie – remain mostly unstated in Spectacle, they are not challenged in any way. Delilah and her compatriots are the victims: victims of a cruel and inhumane society that dehumanizes, objectifies, and others them. Because humans are afraid. Because it elevates them. Because they can. Because there is a profit to be made by doing so.

The bad news? Spectacle is just an okay book. Entertaining enough, sure, but nowhere near as revolutionary as Menagerie.

(More below the fold…)

Book Review: Menagerie, Rachel Vincent (2015)

Monday, September 28th, 2015

“I deal in morality, not in law.”

five out of five stars

(Full disclosure: I received a free electronic ARC for review through NetGalley herunterladen. Trigger warning for rape and other forms of violence.)

“She won’t serve her dish cold,” the oracle mumbled, almost giddy with joy as chill bumps rose all over her skin myvodafone app. “And two graves won’t be near enough…”

What was I, if I had no name, no friends, no family, no job, no home, no belongings, and no authority over my own body herunterladen? What could I be?

In a sudden surreal moment of epiphany, I realized I was incubating not a child, but a cause micky maus wunderhaus herunterladen.

The question is not, Can they reason? nor, Can they talk? but, Can they suffer? – Jeremy Bentham

I have a curious affinity for circus stories: tales that unfold under the Big Top, or books starring carnival performers ios zertifikat herunterladen. Thus far 2015 has been a great year to be a fan of such stories. Kirsty Logan imagines a world vastly transformed by climate change in The Gracekeepers stop schriftart herunterladen. After her parents were mauled to death by the captive bear featured in their act, North was forced to take up their show, alone – save for the bear’s cub, North’s only companion yahoo. Two orphans, traveling the world with the floating circus troupe known as Excalibur. Leslie Parry’s Church of Marvels follows Coney Island sideshow performer Odile Church as she travels to Manhattan in search of her sister, who fled The Church of Marvels when it burned to the ground, taking the sisters’ mother – and their livelihood – with them vorschulkinder übungen kostenlos ausdruckenen. In The Book of Speculation, Erika Swyler weaves an imaginative tale about a librarian named Simon who comes into possession of an old book – a circus ledger dating back to the 1700s herunterladen. Only by unraveling its secrets can he lift the curse that’s plagued his family for generations. And then there’s Anna-Marie McLemore’s The Weight of Feathers – which I’m currently a quarter of the way into – a retelling of Romeo & Juliet featuring two rival families of performers, the Palomas (mermaids) and Corbeaus (tightrope walkers/tree climbers) video von seite herunterladen. There’s also The Wanderers, by Kate Ormand, which I didn’t enjoy nearly as much (I DNF’ed at 41%), but I’ll get to that one in a moment.

(More below the fold…)