Superb idea, so-so execution…
(Trigger warning for child abuse, domestic violence, and rape. This review contains clearly marked spoilers.)
It’s the accident season, the same time every year. Bones break, skin tears, bruises bloom. Years ago my mother tried to lock us all up, pad the hard edges of things with foam and gauze, cover us in layers of sweaters and gloves, ban sharp objects and open flames. We camped out together in the living room for eight days, until the carefully ordered takeout food—delivered on the doorstep and furtively retrieved by my mother, who hadn’t thought how she would cook meals without the help of our gas oven—gave us all food poisoning and we spent the next twenty-four hours in the hospital. Now every autumn we stock up on bandages and painkillers; we buckle up, we batten down. We never leave the house without at least three protective layers. We’re afraid of the accident season. We’re afraid of how easily accidents turn into tragedies. We have had too many of those already.
So let’s raise our glasses to the accident season,
To the river beneath us where we sink our souls,
To the bruises and secrets, to the ghosts in the ceiling,
One more drink for the watery road.
— 3.5 stars —
I can’t remember the last time I had such mixed feelings about a novel.
On the one hand, the story’s premise – every October the Morris-Fagan family is beset by a series of seemingly random accidents, from cuts and bruises to more serious calamities, like car accidents and drownings – is fabulous. The invention of a so-called “accident season” is creative and compelling and provides so many potential avenues of exploration. Are the accidents merely coincidence? Bad luck given meaning by a family who sees what it wants to see? (We humans have a way of forming patterns out of randomness.) A self-fulfilling prophecy? (The worst.) Or perhaps the accidents are the work of a sinister force, either supernatural or more worldly? (Not all monsters are nonhuman, you know.)
The plot gets even weirder than the synopsis hints at with the introduction of Elsie, a plain Jane, mousey girl who mysteriously appears in all of Cara’s photographs – even those taken on a family vacation on the Mediterranean. As the accident season of her junior year draws to a close, the narrator Cara; her older sister Alice; their ex-step-brother Sam; and Cara’s best friend Bea scramble to find Elsie, who’s suddenly gone missing from school and whose presence/absence seems somehow connected to the family’s ill fortunes.