Dark and gritty; a unique spin on the original Snow White tale.
(Full disclosure: I received a free copy of this book for review from the publisher, Candlewick.)
My name is Snow White, but my mother didn’t call me that to be funny.
She would say that the snow covers everything and makes the entire world beautiful.
* tick * tick * tick * KILL
I love a good fairy tale retelling, and this one is truly unique. Set in 1920s New York City, Matt Phelan’s Snow White is a gritty comic book adaptation with a decidedly noir spin.
Samantha White is just a child when her mother dies; the two are traipsing through a city landscape blanketed with snow when Mom doubles over coughing. On her kerchief are specks of blood. The year is 1918, and little Snow White is about to lose her mother to the “Spanish Flu.”
Fast-forward ten years. The widower Mr. White, a wealthy stockbroker, is instantly smitten with the newest It Girl, the star of Broadway, the Queen of Follies. They wed, Snow White is shipped off to boarding school, and the family somehow – magically – survives the stock market crash of 1929, which leaves so many of their peers destitute. Everything is okay-ish; that is, until our wicked stepmother receives ominous messages from her husband’s stock market ticker. Before long, Samantha’s father is dead and she’s on the run.
From the glamour of Broadway to the shanties of Hooverville, Phelan makes excellent use of the setting. Much of the artwork is rendered in shades of black, white, and tan, accentuating the story’s gritty atmosphere and noir influence. Little pops of color, particularly red – the bright, spotty blood on Mom’s handkerchief; the blush on Snow’s cheeks; the drugged apple she accepts from an elderly sidewalk vendor – call attention to important panels and props. The artwork has a rough quality, much like the streets Snow wanders when she is cast out of her childhood home.
Like the artwork, the dialogue is rather minimalist; yet if you are familiar with the story (and what American isn’t?), you should have no trouble following along. All of the various components – setting, plot, atmosphere, illustrations, and dialogue – work in harmony to deliver a Snow White that’s darker and more firmly rooted in reality than the original. The huntsman is a hired gun; the seven “dwarfs,” a group of homeless street kids. Yet there’s a touch of magical realism in the form of the Queen, linking this tale to its predecessors.